Audio System

Mixing Consoles

• 1 – Yamaha DM2000 Digital Production Console c/w 24 Focusrite OctoPre external pre-amps

Main System Speakers

• Meyer LINA Line Array – 6 cabinets per side
• 2 – Meyer UPA-1-C available for corner/front fill
• 2 – Meyer 700HP Subwoofers mounted in house left and right lighting coves

Speaker Processing

• 1 – Meyer Galileo Galaxy 816
• 2 – Meyer M1A Control Electronics Unit

Outboard Equipment and Effects

• 1 – Denon DN-C615 CD Deck
• 1 – Denon DN-D4500Mkll Dual CD/MP3 Deck
• 1 – Tascam A700 Cassette Deck
• 1 – ATI DT208 2 in X 4 out distribution amplifier

Cue Speakers

• 2 – Yamaha HS10W

Monitor Headphones

• 1 – AKG K240 Studio headphones

Monitor Speakers

• 6 – Electro-Voice FM-1202ER
• 2 – Mackie SRM450

Monitor Equalization

• 3 channels of Ashley GQX 3102 – 31 band stereo graphic equalizer

Monitor Amplifiers

• 2 – Ashley FET2000M

Direct Boxes

• 2 Radial PRO DI Passive
• 2 Radial PRO AV2 Passive
• 4 Countryman Type 85FET Active

Control Booth Termination

All audio lines from the stage are terminated at ADC Patch Bays located in the control booth. Microphone lines 1 through 30 are normalled to inputs 1 through 30 on the DM2000 mixing console. The patch bays have been configured to provide “anything-to-anything” patch capability.

Stage Communications

• 1 – Clear-Com MS-400A Four channel Main Station
• 6 – Clear-Com 501 Beltpack, 3 – 601, 2 – 701, 1 – 100A
• 7 – Clear-Com CC95 Headsets, 3 – CC300, 1 – CC-26K, 1 – Generic

Touring Power

• A 60A – 3 phase disconnect is located USL.

This power is on the same leg as the main sound system, and is star grounded to the main system’s isolated ground. Connection is via Cam-Loks with reverse ground and neutral.